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Public Transportation Etiquette Rule #1 – Riding on a packed rush-hour subway

Now this might only apply to those that commute in New York City but there are are some rules that one should follow when riding a packed subway during rush hour.  Now these rules may differe form person to person and some might not pay attention to things like this or accept them as just “the way it is” but this kind of flagrant disregard for people around simply will not stand.

What would you do if you were carrying a large backpack?

When I am carrying any large bag I place the bag in front of me.  Why?  Because I do not want to bother the people behind me that I can not see because I was not gifted with eyes in the back of my head.  I don’t wear backpacks but I have a shoulder back slung messenger style.   I don’t think it is appropriate for people to be maneuvering through a crowd with what amounts to stegosaurus plates on their back.  Are these people self-aware?  How do they go through life?  The whole routine looks like a Three Stooges bit.  The classic move where one would be carrying a long piece of wood like a 2×4 and then look one way, turn, and not out the other behind him.

So this morning there is one of those completely aloof travlers adorned with some sort of explorer adventure pack.  A 21st century Sir William Edward Parry.  With all those belts and straps.  Like this is an urban Serengeti and we are all the local wild life.  They were all slouched over by the weight of their pack.  All the while us wildlife are trying to pass by them in an almost nearly impossible dance of skill.  Do they respond or react to the protrusion behind them.  The nearly human size mass attached to their back?  No.  They stand there looking around at the marvel of modern conveyances that they obviously do not have in the backwater they hail from.  They do have an REI there though it seems.

So let’s say you are not the world’s next Francisco Vázquez de Coronado.  You are one of us commuters on their way in on the greatest subway system ever built. The doors open and people are piling in the car.  You notice that there is room in the middle of the car but you are stuck to the pole by the door.  Do you move to the center of the car, thus allowing everyone to evely fill in or do you stand there and let everyone walk by you?  Unfortuantely, I’ve discovered that the later is the more common.  Why is that?  How are these people raised?  Are they that important that they feel that they do not have to move or be considerate?  Unfortunately when I ask them to move I’m so aggrevated that it is impossible for me to adjust my tone.  What I think should be a cordial suggestion comes out more like an order.  Somebody needs to do it because unfortunately these great tides of masses flow away from confrontation and I love nothing more than to go against the tide at times.

I’ve often considered publishing a book that should be handed out to every tourist when they board their flight to NYC for the first time.   The working title is “Walking with the Pack:  Rules for traveling on foot in NYC”.

Rated RSO, the music and lyrics of Ryan Scott Oliver, tonigt at Joe’s Pub sold out!

Rated RSO at Joe's PubI have the pleasure of being co-producer on Rated RSO, a sold out one-night only event tonight at Joe’s Pub.

After two sold out shows in Los Angeles, RATED RSO: The Music and Lyrics of Ryan Scott Oliver will receive its New York premiere tonight!

Rated RSO at Joe's Pub ProgramPresently portraying the sexy schoolteachers, provocative rent-boys, and obsessive homicidal teenagers of Oliver’s works will be Broadway talents Alex Brightman (Wicked, Glory Days), Morgan Karr (Spring Awakening), Natalie Weiss (Wicked), Jay Johnson (Hair, A Chorus Line), and Lindsay Mendez (Grease, Everyday Rapture), with Geoff Kidwell, Mat Burrow, Lyle Mackston, Katie Gassert, Cait Doyle, Grace Wall, and introducing Jennifer DeRosa.

Travis Greisler directs the evening, which will include several of Oliver’s better-known tunes, including “Lost Boy,” “Out of My Mind,” “When Lily Came,” “Never” and “Mrs. Sharp.”  Showtime is at 11:30pm and at the time of this posting, the show is sold-out.

Become a fan of the show on Facebook

Ryan Scott Oliver is a 2009 Jonathan Larson Grant recipient and wrote the music and lyrics for Mrs. Sharp (2008 Richard Rodgers Award Winner, formerly Alive at Ten), Darling (Pace New Musicals 2009), the song cycle Out of My Head, music for Angus Oblong’s The Debbies and music and co-lyrics for the hit YouTube TV show The Battery’s Down.  His work has been presented in showcases including the Disney/ASCAP Musical Theatre Workshop, Goodspeed Musicals, William Finn & Barrington Stages, The York Theatre, Monday Nights New Voices, the Festival of New American Musicals in Los Angeles, and most recently The Ryan Scott Oliver Project conceived by Philly Music Theatre Works.  He is a Dramatists Guild Fellow, and the recipient of numerous awards including the first-ever ASCAP Foundation Harold Adamson Award for Excellence in Lyric Writing.  Currently he is working on an untitled show for TheatreworksUSA which will open off-Broadway in 2010.  B.A. Music Composition, UCLA; M.F.A. Musical Theatre Writing, NYU-Tisch, a proud member of A.S.C.A.P.

Disney to sue Twitter?

Maybe not but the title got your attention right? Check out this from AdScam today, then twitterpated at the Urban Dictionary.

Everyone has been talking a lot about this latest internet phenom’s capabilities but not about it’s background and who is behind it. Consider checking out this Wikipedia entry. Yes I know that Wikipedia is questionable however this entry does cite 78 references.

Last Feb they closed their third round of funding that secured more than $35 million. They claim to have less than 30 employees. Use Ruby on Rails, PHP and other free software platforms. Do they need to start a revenue model yet? If you look at the venture capitalists rumored to be involved would they need or want to sell to Google or Microsoft?

Above The Belt is back. This Thursday, March 26th at the Bleecker Street Theatre

Above The Belt NYC

Click To Enlarge

Above The Belt, the monthly aerial show that I am producing with Britt Nhi Sarah is back. After losing our monthly residency when the late great Zipper closed we’ve taken the show on the road.

Next up, March 26th at the Bleecker Street Theatre!  45 Bleekcer St., NYC. Map

Showtime is 8:00pm.  Ticket’s are $25 and can be purchased at the door or online at Telecharge.

Above the Belt is an aerial showcase that has been dazzling New York audiences for the past three years. It is committed to the city’s reputation as the most innovative stage on earth and every show is new and fresh with a constantly evolving line-up of the most essential aerial artists.

Learn more about Above The Belt at our website.

Consider checking out The Gay Agenda. Your semi-favorite-two-man-musical-theatre-punk-band.

The Gay Agenda

Micah & Nicholas

Micah & Nicholas

I first met Micah Bucey (one of the two geniouses of The Gay Agenda) years ago when we performing Fleet Week in the NYC Fringe Festival (winner best musical).  We went on to perform in Prospect Theater’s The Book of The Dun Cow and then the smash hit run of Fitz & Walloughs Get It In The End.   Now you can see him along with the equally talented Nicholas on piano performing regularly at The Player’s Loft and around the world! (not yet but I am going to help them with that).  Visit their website for more information

Tomorrow night The Gay Agenda will be performing at The Players Loft, 8pm.  Ticket’s at Ovation. View Google Map.

The cast readies for tonights show

Here at Pace, the cast gets ready in a circle for tonights first public reading of Darling.

History unfolds

Here at The Concept Farm, a crowd is gathered to watch the innaugruation of the first African American president. History unfolds before our eyes.

Performing some surf and some Broadway. Variety is the spice of life.

Rose LIveHappy new year to everyone.  The rest of this month became booked rather quickly with performance work. I’ll be performing two different styles of shows for the ever discerning pallet.  Tomorrow night I’ll be in Williamsburg at Rose Live with Willie and The Wolves, a surf, sould, blues (and more) act .  Next week I’ll be at Pace University’s Schaeberle Theater on percussion for Ryan Scot Oliver (RSO) and B.T. Ryback’s world premiere six-night reading of the new musical Darling. I first worked with RSO on a recording for his show Alive At Ten. Read more about Darling on BroadwayWorld.com.

(below is an excerpt form RSO’s website)

Pace University in New York City has selected the brand new, RSO-scored Darling to receive a fully produced reading in January 2009.

Ryan Scott Oliver

Darling features a book by award-winning playwright B. T. Ryback (winner of the 2007 Tennessee Williams One-Act Festival) and music and lyrics by Ryan Scott Oliver. The musical follows upper crust teenager Ursula Morgan in 1929 Boston as society boils in the weeks before the Crash. Neglected by her excessive, self-absorbed parents, Ursula encounters Peter, a charming rent-boy of uncertain age, on the run from the Captain of Police who pursues him for a crime he may or may not have committed. When Ursula is offered the chance to run away with Peter she takes it, and finds herself swept into a seedy underground of booze, boys, and jazz—and in love.

Performances will take place at the Pace University Schaeberle Theater on the 10th Floor of 41 Park Row from January 20-25. The reading will be directed by Amy Rogers, music directed by Robert Meffe, and will feature student performers. The Pace reading will be the world premiere presentation of the musical.

Performing drums with Willie & The Wolves featuring Lady V

Surf, Soul, Blues and More
Thursday, January 15th

Rose Live
345 Grand Street in Williamsburg Brooklyn
Subway: L to Bedfor; G to Metropolitan; J/M to Marcy Avenue
(More Info on Google Maps)
8pm (open bar 6pm-7pm)
Free
Other acts on the bill: The Mixxtape (New Hope, PA) and The Howling Monkeys

Performing percussion for the reading of the new musical Darling

Tuesday, January 20th through Sunday, January 25th (six shows)
Pace University Schaeberle Studio Theater
41 Park Row, 10th Floor,  in Lower Manhattan
Subway: 2,3 to Park Pl; 4,5,6 to Brooklyn Bridge City Hall
(More Info On Google Maps)
8pm each night
$20, $10 students; industry comps available

Save Broadway by SNL

Well done but very very safe.  No mention of Disney or Brooks shows.  Why not?  What would NBC have to fear?

Tools of the trade

My late Grandfather, was amongst many things (to be defined later but a volunteer firefighter was one of them) a barber. My late uncle was also, but in the West Village I think you would call a gay barber a hair stylist.  Below are photos of the tools the I most recently inherited.  Though the straight razor is sexy, I doubt I will be using it.